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“Richard House experiments with characterisation as a device to mediate different narrative sites in his 2013 work The Kills. The novel, which is comprised of four sections (House refers to them as ‘books’ [2014]), extends its linguistic rendering into digital spaces through the inclusion of filmic sequences attributed to being created by the characters. The film elements are ‘about the characters’ lives outside the scope of the novel, they are a different tone, you could even say genre’ (House 2014, para 14). The sequences explore the landscape of the stories, contributing to both a more visceral evocation on place, and as a result of their first person perspective, the further development of characterisation. That worldbuilding and characterisation are fundamentals of the creative writing craft, positions the cohesion that stems from House’s work as an element of his creative writing practice, rather than that of TS itself”
Citation de : “Between the network and the narrative: transmedia storytelling as a philosophical lens for creative writers”